Los archivos personales de Stanley Kubrick

<p>In 1968, when Stanley Kubrick was asked to comment on the metaphysical significance of <em>2001: A Space Odyssey</em>, he replied: “It’s not a message I ever intended to convey in words. <em>2001</em> is a nonverbal experience… I tried to create <strong>a visual experience, one that directly penetrates the subconscious with an emotional and philosophic content.</strong>”<br /><br /> Now available as part of our <em>Bibliotheca Universalis </em>series, <em>The Stanley Kubrick Archives </em>borrows from the director’s philosophy. From the opening sequence of <em>Killer’s Kiss </em>to the final frames of <em>Eyes Wide Shut,</em> it allows the masterful visuals of Kubrick’s films to impress through <strong>a sequence of compelling, mesmerizing stills</strong>. We uncover Kubrick’s creative process through<strong> fascinating archival material</strong>, including <strong>set designs, sketches, correspondence, documents, screenplays, drafts, notes, </strong>and <strong>shooting schedules</strong>.<br /><br /> Accompanying the visual and archival material are <strong>essays by noted Kubrick scholars, articles written by and about Kubrick, </strong>and a selection of <strong>Kubrick’s best interviews</strong>. The result is a visual, archival, and scholarly journey through masterworks of 20th-century cinema and the meticulous mind of the director behind them.</p>